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Both Nikon and Canon now have cameras that can shoot in 14-bit raw mode rather than the traditional 12-bit raw. I wrote at length last week comparing whether the larger 14-bit files are actually any better than 12-bit raw, looking mainly at resolution as it relates to shadow and highlight recovery. This week I want to continue with the topic in order to look at differences in gradient rendering and also to respond to clarify a few points about my initial article....
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